
ORESTES
Perhaps for this reason my sister never forgave her —
for her eternal beauty — this old woman-little girl, wise
in her antithesis, given in her denial of beauty and joy —
ascetic, repulsive in her wisdom, alone, unrelated,
even her cloths are spitefully old, flowing over her,
out of fashion and her belt is but a loose string, worn out,
like a vein without blood around her waist (which she
constantly tightens) like the string of a fallen curtain
that doesn’t open or close anymore, slanting and
showing an image of an eternal acrid austerity with
sharp rocks and huge trees, leafless, branching over
some stereotypical, pompous clouds; and there
at the far end, the presence of a lost sheep, a white,
lively stigma, a grain of tenderness — invisible —
and my own sister a vertical rock enclosed in its
toughness — unbearable. Listen to her, almost
fastidious; she gets excited as she observes mother
placing a flower on her hair or her breasts, when
she crosses the hallway with those musical steps,
when she leans her head a bit with certain
sorrowful leisure, echoing a significant sound
from her long earrings to her shoulder, which only
she hears — her sweet privilege. And my sister
gets angry.








